One of his final films, this seems an odd choice
for Peter Sellers though he is able to indulge in his love of playing different
characters in the same film - in this case three of them. Based on the 1894
novel by Anthony Hope, it is one of many film versions - a number in the
silent era, the most famous one starring Ronald Colman in 1937, the peculiar
1952 version starring Stewart Granger that is a shot for shot copy of the
Colman film and perhaps even stranger there have been a number of Bollywood
versions. But as far as I know, this is the only comic version
of the story. Director Richard Quine (in his final film) takes a different
tack though than the audience probably expected. It swerves back and forth
between comedy and straight-out old-fashioned adventure. It can't seem to
make up its mind and Sellers of course wasn't happy with Quine's directing.
By this time, Sellers was certifiable and unwell. Only Being There and The
Fiendish Plot of Fu Manchu were left for him.
To a large extent it does follow the basic
outline of the novel with a few changes. In the opening scene the King (played
by Sellers) falls out of a balloon to his death down a well. The heir Prince
Rudolf (Sellers) is a wastrel and woman chaser. He is in London playing roulette
and trying to be with his mistress (Elke Sommer) who is married to a Count
(Gregory Sierra - Barney Miller). The Count tries to kill Rudolf throughout
the film - sort of a tribute to the Pink Panther films - with bad outcomes
for him.
Rudolf's half-brother Michael (Jeremy Kemp)
sends an assassin to kill Rudolf - but Rudolf's two advisors (the wonderful
Lionel Jeffries being one) find a hansom cab driver who is the Prince's spitting
image. A cockney. They convince him to come drive in Ruritania - but plan
to make him the target of assassins. Like the book and the other films, the
hansom driver has to take Rudolf's place when Michael kidnaps him - be coronated
and fall in love with the Princess (Lynne Frederick - Seller's wife at the
time. If nothing else, Seller had good taste in women). The final few minutes
is all action that could have fit into the earlier films and unlike any of
them or the book, it has a happy ending. Not a lot of laughs here and Seller's
looks tired and bored - but still somewhat pleasant watching. A decent cast
but not comparable to the 1937 version.