Fine, with Occasional Murders
Director: Kazuyuki Izutsu
Year: 1984
Rating: 5.0
Aka - Hare
tokidoki satsujin
This was very much a film to show Kadokawa’s
latest Idol, Noriko Watanabe, who not only is the main actress in the film
but also gets to sing the theme song. But it strikes me as a very odd Idol
film with a mixture of sweetness and murder. The occasional murder, yes.
Three of them and very bloody with nudity as if from an Italian Giallo. Who
was the audience for this? Kadokawa had a few female Idols at the time churning
out youth-oriented films like School in the Crosshairs, Sailor Suit and the
Machine Gun and The Girl Who Leapt Through Time, but this doesn't really
fit into that narrative. The film is a nasty piece of work on one level and
an oddball romance on the other. It never really adds up to anything that
is believable.
Namiko Kitazato (Mitsuyo Asaka) runs a large
corporation and one evening while outside at a construction site, she sees
a man running away and then sees the body of a dead call girl with her clothes
ripped off and a knife in her throat. She did not get a good look at the
man but soon receives a call from him warning her to identify another man
or her daughter Kanako (Noriko) in the United States will be killed. And
photos of Kanako follow. She does as he orders and that man she identifies
kills himself. She is filled with guilt but afraid to call the police and
when Kaneko returns home, she confesses everything - and just as she is about
to tell her daughter who she thinks the killer is - someone in her organization
and circle of friends - she dies from a bad heart. Come on mom, just one
more word. Nope.
It then falls on Kaneko to find out who
the killer was, but she really doesn't do much of anything. The rest of the
film takes place in the mother's large house with all the potential suspects
coming to pay their respects. She also discovers a secret room that her mother
kept - with a poster of Casablanca and photos of Bogart and Bergman. Another
murder takes place with the same M.O. and the police think the killer is
in the neighborhood. These two comical dimwitted cops seem to be in a different
movie - but in fact the man they are looking for is in the house. When he
says he is innocent, Kaneko believes him and hides him in the secret room.
These mourners are a strange lot - one has put bugs in the house and been
listening to everything, another tries to rape Kaneko next to the dead mother's
body. The maid Marie is getting it on with all the men on the side. Finally,
Kaneko does the old tried and true method of finding a killer - announce
that she knows who it is and that she will tell the police tomorrow. Suddenly,
the lights are off. A bit trite with dialogue that feels unreal much of the
time. I was curious enough as to who the killer was to stick with this, but
it wasn't easy to keep my attention.