Project A II
Reviewed by YTSL
At the risk of shocking, appalling and offending
fans of Jackie Chan, I must admit that what made this (re)viewer's heart
feel like it had skipped a beat over the course of that which quite a few
people reckon is among the masochistic star's best works was: Not
his expected crazy stunts and usual well choreographed fights; but, instead,
my first back-to-back and subsequent sighting of three of my favorite actresses
(Carina Lau, Maggie Cheung and Rosamund Kwan) looking so young, fresh-faced
and pretty. There also is quite a bit of pleasure to be derived from
seeing (now) familiar faces among the obvious main man's sidekicks and
this 1987 film's lesser characters (I think this particularly about "Uncle"
Bill Tung but also recognized the actor who plays someone named Mars here
as well as in "Police Story" I, II and III).
Still, it is undeniably so that PROJECT A II is
a Jackie Chan vehicle and, consequently, a movie in which there is on view
the kind of amazing things which he is probably the only man on the planet
who could and is willing to -- try and do. Since this offering
is technically a sequel of another motion picture (which -- unlike this
one also starred Sammo Hung and Yuen Biao), there's a visual bonus thrown
in at the beginning due to the effective recap of what had previously transpired
including clips of some of Jackie's (in)famous feats in the original "Project
A" (such as his homage to silent movie great, Harold Lloyd, which involved
his dangling from the minute hand of a giant clock before letting go and
falling quite a long way down, with only a couple of cloth awnings for
cushioning comfort).
Should there be any doubt, here's confirmation
that there also are quite a few more treats in store after that.
At the very least, there can be said to be in PROJECT A II proper:
At least one more amazing major stunt (which is another silent movie tribute
-- this time to Buster Keaton); quite a few acrobatic fights involving
tons of individuals, during which people painfully get thrown onto and
bounce off different surfaces; one incredible action on the part of Jackie
involving REAL chili peppers (which makes the (re)viewer appreciate how
much punishment the film's director and screenwriter as well as star is
willing to inflict on himself to entertain us...I mean, this is something
he could have easily faked. But he definitely didn't!); a diverting
hide-and-uncover comedy sequence (involving just about everybody who's
anybody in the movie); along with the always interesting out-takes. With
regards to the last: Apart from the usual Chan "muggings", there's
also a particular painful yet funny bit involving a cameraman to look forward
to! Also, the contrast between Rosamund Kwan and Maggie Cheung's
reactions after enacting the stunts they were required to do should amuse
more than just this fan of theirs.
What makes PROJECT A II standout among other Jackie
Chan projects I have viewed though are: The complex plot (N.B. This
turn of the century period piece has not one but three sets of villains:
Imperial Chinese courtiers, disgruntled pirates and crooked cops; anti-Manchu
revolutionaries also complicate matters quite a bit and lead to Chan's
character making a rare politics-tinged speech which, I think, reveals
much about Chan's particular pragmatic political perspective); its impressive
custom-designed outdoor and indoor sets (notably Tiger Au's den and the
Hong Kong colonial governor's residence); the often eye-catching costumes
(of the men as well as women); and its large ensemble cast -- which include
Ray Liu and David Lam and the all too rare (in the Hong Kong movie world)
capable Caucasians actors! to support the principal performer.
It is also very much to this film's credit that all its visual and other
treats actually fit well rather than incongruously -- into the whole
package. Even while obviously big budget (by Hong Kong film standards),
there really is little excess fat and seemingly gratuitous sections in
this production.
All in all, this is a marvelous showcase for Jackie
Chan. A couple of years ago, that would have been enough for me.
It is one of those ironic things though that as my appreciation of Hong
Kong movies have grown, my estimation of quite a few of this undoubtedly
multi-talented individual's works have actually diminished somewhat.
While I still thrill at the physical feats and continue to find quite a
bit of humor in Jackie Chan films, his under-use of so many of his fellow
actors and actresses -- who have impressed in other productions...ironically
enough, including those that Chan has produced but not starred in can
seem like such a crime. It is not a coincidental matter that my absolute
favorite of the man's movies ("Police Story III: Supercop") is one
that quite a few of his most ardent fans feel disappointed by; in large
part because Michelle Yeoh stole that show...
My rating for the film: 8
Reviewed by Brian
I think this is the quintessential Jackie Chan
film. This is simply his most perfect blend of comedy, action and narrative.
There is not a dull moment to be found in its entire running time. In most
of his films Jackie has spectacular fights and stunts but often surrounds
them with a dull or non-existent story. That is not the case here as there
is something happening of interest on the screen all the time there is
not a moment of downtime and barely a moment for the audience to catch
their breath.
There is almost too much of a story here many
intertwining plots Jackie cleaning up a corrupt police squad and being
framed by the odious Lam Wai, pirates left over from Project A seeking
revenge against Dragon Ma (Jackie), the three loveliest revolutionaries
ever Carina Lau, Rosamund Kwan and Maggie Cheung (at her most adorable)
causing Jackie numerous headaches and agents of the Ching government
trying to capture the three girls and Ray Lui. Somehow Jackie manages to
keep all these threads going like a master juggler and never misses a beat.
The action sequences are nearly mind boggling
in their complexity and the dexterity shown by so many people not only
by Jackie but from a veritable army of stuntmen and actors. Some of the
falls that the stuntmen perform make me sore to think about that poor
guy who falls from the second floor of Tigers (Michael Chan) gambling
parlor and lands on the vase and then tumbles onto the floor. Ouch! There
is so much amazing stuff going on and it is happening so quickly that after
a while it almost becomes common place. Jackie could have filled three
films with the material in this film but he crams it all into this brilliant
film.
Two scenes in this film are complete classics
and this leaves out the fight in Tigers place and the incredible scene
of the pirates chasing Jackie handcuffed to Lam Wai. They are very different
from one another, but capture the essence of Jackie at his best.
One is the comedic near French bedroom farce
scene that takes place in Maggies apartment. It seems that in every
closet and under every bed is an opposing party all trying to hide from
someone or another. Jackie keeps this scene going for ten minutes and it
is near perfection in its absurdity.
The other is the finale. Jackie constructs a set
of rooftops, bamboo scaffolding, cat walks, ladders and falling facades
that allows him to perform magic a display of agility and guts that will
keep your mouth agape. From the moment Maggie, Rosamund and Jackie start
running over and slipping off a rooftop to the façade falling on
him, it is 20-minutes of audacious and mesmerizing movie making.
My rating for this film: 9.0