Tai Chi II
Even though this film was also directed by Yuen
Wo-Ping and displays elements of the Tai Chi fighting style, it has absolutely
nothing to do with Jet Li’s Tai Chi Master. This is an odd little film
that has its good points, but it is difficult to take it too seriously.
It has a serviceable enough plot dealing with the last years of the Ching
dynasty, some solid actors and a number of well-done action routines –
but for some reason it just comes off as kung-fu lite. The film feels much
too pretty, amiable and adolescent to really rank as more than a trifle.
Much of this has to do with the lead actor
– Jacky Wu in his debut film. The man’s wushu skills are extremely impressive
and apparently he was a member of the same wushu team that Jet Li once
belonged to. Whenever Wu goes into action, the fluidity of his movement
and the acrobatics are really quite amazing and he makes it look nearly
effortless. Perhaps that is part of the problem – Wu is always smiling
and never seems to exert much energy or anger in his fights. So even if
you can admire what he is doing, it comes across as more show than real
and one never becomes emotionally involved in it in any way.
In the opening scene, his father (Yu Hai) is announcing
to the world that he is retiring from the world of martial arts to educate
his son and spend more time with his wife, Sibelle Hu. Billy Chow interrupts
though to challenge Yu Hai and an enjoyable fight commences. Yu Hai starred
along with Jet Li in the wonderful Shaolin Temple trilogy and is a top
wushu performer as well. Both he and Billy Chow bring an authenticity and
gravity to their action scenes that are all too lacking in Jacky’s fights.
Billy Chow is defeated in his challenge but vows to return one day.
Years pass and Jacky has practically spent all
this time locked up in his room studying the classics. Secretly though
he has been studying kung-fu manuals and it’s amazing what one can learn
from books! He soon sneaks off one day – meets the enchanting Christy Chung
– and soon gets into a fight with officials of the Ching government because
of her. She has recently returned from receiving her education in the West
and is intent on bringing democracy to China. She enlists Wu into the movement
– though he refuses to cut off his pigtail – which is just as well since
his Pig-tail stance is his most lethal weapon! Jacky gets tips from his
mom, Sibelle Hu, on how to court a Western educated female – by teaching
him to say “yes” to everything she asks and how to tango. In the sub-titles,
Hu’s character claims to have been born in the Bronx!
Jacky and Christy have to fight not only Ching
officials (Mark Cheng), but also some devilish English opium smugglers.
There are some fine – though very wire enhanced – action scenes that have
some excellent choreography. One involves his father coming out of retirement
to take on a platoon of Ching soldiers and then the final fight against
the gweillo – Darren Shahlavi – is a lot of fun and must last for fifteen
To some degree this plot is fairly typical
of many kung fu films that came out after the popularity of Once Upon a
Time in China. Still the mix of traditional Chinese ways and the influx
of ideas from the West could have been interesting if it had gone beyond
being simply cutesy. There is just no weight to this film.
Strangely, it seems as if Jacky Wu has not done
much in film since this was made. Though his acting needed a lot of work,
his physical skills are undeniable. Of course, sadly there is not much
need these days for wushu stars in HK cinema.
My rating for this film: 6.0