The Heroic Ones
Reviewed by Yves Gendron
HEROIC ONES was the very first film from master
filmmaker Chang Cheh to be released on DVD by Celestial Pictures.
It’s a fitting choice as the movie is a spectacular swordplay yarn, dating
back from 1970 and starring Old School icons David Chiang and Ti Lung.
The film is part of Chang Cheh’s “Blood Brother” cycle of grim, bloody
and angst-filled martial potboilers featuring the pair of actors who were
the martial genre’s biggest sensation at the very dawn of the seventies.
Actually HEROIC ONES could be aptly described as the more topsy-turvy entry
of the cycle as it has our heroic stars playing a bunch of boastful, ruffian
Mongol-like barbarians, the types who usually are the fiendish villains
against which the noble Chinese patriotic heroes are fighting.
The "Heroic Ones" are the thirteen fierce fighting
sons of barbarian chieftain Li Ke Yung (Ku Feng) who in the last years
of the Tang Dynasty (around 900AD) has been requested by the Chinese Emperor
to recapture his capital city held in the hands of a rebel leader. Chief
among this band of heroes are Shih Szu (Ti Lung) and Li Chun-xsiao (David
Chiang) who is the youngest and most able son as well as his father’s favourite.
The Heroic Ones will have to do more than just deal with a rebel and his
large army however, but also be faced with the treacherous action of a
crafty Chinese court official (Chan Sing), as well as the bitter jealousy
of some of the brothers toward their more favoured siblings - that in the
end will lead to tragic consequences.
Undeniably, THE HEROIC ONES is a spectacular epic
swordplay with superb scenery, action scenes and swiftly moving armies.
It also has a splendid twist on the usual ingredients of the genre by having
the Mongols as heroes thus allowing for the films’ stars a more wily and
wild behaviour instead of being the typical noble and dignified Chinese
heroes. Unfortunately, the film does suffer from some shortcomings.
Let’s just go past the fact that we have to buy into the urbane and fair
looking David Chiang as a Mongol warrior as well as some plot inconsistencies
(in one scene the heroes need a grappling hook to scale a wall, in another
they just jump), the film’s main drawback would be that at least in its
first hour, it feels somewhat lumbering. Usually a Hong Kong film lasts
around 95 minutes, but here it is 120 minutes and one can only wish the
film had stuck to the more typical duration. Yes, there might be
plenty of action as Chiang and company goes from one fight to another but
it is sorely missing any real juice and compelling angst-filled drama.
Furthermore, during part of the movie HEROIC ONES is marred by some sloppily
executed techniques with some very poorly done day for night shots.
Thankfully, HEROIC ONES pretty much redeems itself
at the 75-minute mark when Ti Lung and a couple of others engage in one
of those “one against hundred” battles which are very typical of the work
of Chang Cheh and is the highlight of the film. Finally, the action (as
well as buckets of blood) is flowing. Bare-chested and wielding a spear,
Ti Lung looks superb as he always does in these types of sequences – although
it usually means that his part in the film is about to come to a end. What
follows afterwards, as two resentful brothers plot against favourite son
David Chiang, is somewhat laborious making the movie’s final third a bit
anti-climactic but nonetheless leading to one of the more spectacularly
gruesome and memorable scenes of cinematic killing ever witnessed in a
martial art movie.
HEROIC ONES’s original Chinese title is “THE THIRTEEN
SONS OF THE KING”. Interestingly enough, not all of the sons are the chieftain’s
blood-children as some of them are actually adopted including David Chiang
and Ti Lung’s characters. Besides these two and the two bad seed brothers
who cause all the trouble, the only other one of the thirteen sons to really
be distinct is the burly looking eldest brother, played by character actor
Chin Han, who always advises his father. The rest of the bunch is a pretty
undistinguished lot who for the most part just follow David Chiang around
and fight on cue without displaying much of a personality. Heck, most of
them don’t even have a single line of dialogue in the movie. One of those
silent brothers is played by Lau Kar-wing, younger brother of Lau
Kar-leung, one of the film’s co-action choreographers (the other being
his regular partner Tong Gaai). Lau Kar-wing’s presence among the brothers
indicates that quite likely most of the subordinate siblings were actually
screen-savvy stuntmen rather than regular actors.
One of the film’s great highlights is actually
the king who is played, in a scene-stealing performance, by Shaw Brother’s
superb character actor Ku Feng. Here he finds one of his best early roles
as the boastful, battle scarred, chieftain patriarch who likes nothing
more than to celebrate or bury his grief under gallons of wine. On the
other hand, while getting top billing Shaw female star Lily Li has only
a flower vase type of part to contend with. She appears forty-five minutes
into the movie and is gone within five minutes. Her appearance, however
brief, does bring a nice feminine touch in this otherwise quite male centred
movie as a Chang Cheh’s production usually was.
Other regular martial art players cast in the
film include the Charles Bronson of Asia, karate tough guy Chan Sing in
a quite atypical role for him. If David Chiang and Ti Lung are brash Mongols,
he plays a crafty courtier who doesn’t fight. Hong Kong muscle man Yang
Sze (better known in the West as Bolo Yeung) actually makes his screen
debut in HEROIC ONES. He was hired by Shaw after making a name for himself
first by escaping the Mainland to reach HK by swimming and then shortly
afterwards by winning a body building competition. Typically in the film
he plays a hulking warrior who Chiang challenges in a David and Goliath
martial style duel. Future minor kung fu star Clift Lock also appears
briefly as a Chinese general and from time to time there is a sighting
of some of the Yuen Brothers, who worked as stunt-men/fighting extras for
Shaw at the time.
HEROIC ONE was a great box-office success as it
ranked fourth and was the top Chang Cheh movie of the year. Although crucial,
Ti Lung’s role was quite subordinate to David Chiang who was the film’s
real star; so the film cannot be quite properly described as a real pairing
of the two. The Blood Brothers cycle of film was still in its early stage
and as the cycle evolved Ti Lung would receive more prominent role and
become Chiang’s real screen partner instead of just his foil or a plot
device - although Chiang still usually remained the pivotal character.
The Blood Brother cycle reach its full throttle in 1971 with four films
being in the box-office top five. Unquestionably, Chiang and Ti Lung would
have been the great martial sensation of 1971 if it’s hadn’t being for
the late and impromptu arrival from America of a former H-K child star
turned martial artist; Bruce Lee. But that’s another story.
HEROIC ONES like most of Chang Cheh’s huge stellar
cast swordplay yarns is hardly one of his best works. Chang was actually
better in more focused, intimate and haunting efforts like VENGEANCE (70),
NEW ONE-ARMED SWORDSMAN (71) or BOXER FROM SHANTUNG (72). Despite
his reservation however, this reviewer recognises the film as quite an
adequate action period piece, entertaining enough and a pretty good way
to get an introduction into the early, manly, bloody and chivalrous universe
of Chang Cheh, pre-Venom time.