The Untold Story
Reviewed by YTSL
This true crime film -- whose descriptive Chinese
title translates into English as “Eight Immortals Restaurant: Human Meat
Roast Pork Buns” -- appears to be widely considered as a Category III classic.
According to the HKMDB, this Herman Yau helmed offering grossed a total
of HK$15,758,491 in its home territory and ranked at a very respectable
24th on the former British crown colony’s 1993 box office list. Half
a world away, it’s one of the few non-action Hong Kong movies that are
available for rental at my local, non-Chinatown video store. And
this past week, it was honored with two New York City screenings by Subway
Cinema, the organizers of an “In the Mood for Gore: 22 Years of Deliciously
Evil Hong Kong Cinema” fest.
According to a fest attendee who flew from Minnesota
especially to attend one of this wacked out work’s screenings, there are
as many as five different versions floating around of THE UNTOLD STORY;
with the 35 mm print that was shown in New York being one of the more censored
of them. At this juncture, I wish to point out that this particular
cut version is the only one of this extreme film that I have viewed (and
probably ever will view). For all of its been less complete than
other ones, rest assured that I was witness to enough movie gore and violence
to understand why this Danny Lee production -- for which he also is a co-presenter
(along with Yang Teng-Kuei) and co-star (in his customary role as a crime-busting
character who gets addressed as “Lee Sir”) -- well merits a Category III
rating (and prompted two walkouts at the screening -- by a veteran Hong
Kong filmophile who I don’t want to embarrass by naming, and someone else
who identified himself as a medical doctor before going along his own merry
way! -- that I was in the audience for).
THE UNTOLD STORY centers on a most unsavory character
named Chan Chi Leung (who is portrayed by the HKFA Best Actor prize winning
Anthony Wong). Not only does this bulging eyed individual cheat at
mahjong but he also is liable to butcher those who correctly as well as
honestly point out that he does this. After Chan kills one such accuser,
he flees his native Hong Kong, only to resurface -- albeit with a shorter
hair style and a disguising pair of eye-glasses -- some while later in
neighboring Macau. Far from learning from those of his mistakes that
caused him to become a permanent exile however, this loose cannon of a
character appears to have few qualms about behaving as badly in the then
Portugese outpost as he had previously done. Instead, as the likes
of the ill-fated character played by the notorious Julie Lee (AKA Julie
Riva) would learn to their detriment, it would seem that Chan only got
weirder and worse when he was away from his home (which, unlike with his
adopted land, does legally issue death penalties rather than “just” life
sentences).
Gore hounds will undoubtedly be happy to learn
that the Macau section of THE UNTOLD STORY is filled with more violent
and despicable actions as well as way longer than the Hong Kong segment
that turns out to really only be this effort’s prelude. More than
incidentally, for much of the film, its criminal main character is professionally
identified as the owner of a “tea shop” (budget Chinese restaurant) whose
apparent specialty consists of freshly made meat buns -- some of which,
at one stage of the movie, a bunch of not particularly bright plain clothes
police officers (who include those essayed by Parkman Wong and Emily Kwan)
are shown to very much enjoy eating. Additionally, a significant
chunk is devoted to depicting how Chan came to be in charge of this establishment
that he had started off at as a hired hand of the mahjong playing middle
aged husband and father -- of three young daughters and one precious son
-- who was its long time boss.
Another considerable portion of THE UNTOLD STORY
centers on the investigation of a team of detectives -- who are rather
loosely supervised by Inspector Lee (whose personal name is never divulged
but which I’d not be surprised to learn is Danny, and who almost always
gets shown in the company of the type of women that Macau is infamous for
having) -- that’s prompted by the discovery of some human body parts that
the tide washed up onto a beach. When observing the often downright
idiotic as well as bumbling behavior of these persons who are officially
on the right side of the law, it looks to be a miracle that they would
ever be successful at tracking down any criminals. In this case,
they are fortunate enough to get a few lucky breaks, including ones that
helped them to connect it with a series of letters that they had been receiving
from China by a man who wanted them to track down the whereabouts of his
restaurant-owning brother and his family (including elderly mother).
This having been said, few individuals will want
to get on these cops’ bad side, since they are as serious when it comes
to trying to get a confession from a prime suspect as they are laughable
when coming up with other kinds of evidence to convict a man. When
pretty graphically observing Chan raping, killing and dismembering his
victims (whose age range is considerably wider than what one usually is
presented with by more conventional film-makers), many people -- including
this (re)viewer who, in all honesty, felt herself gagging at one point
during the screening -- surely won’t be able to help but think that he
-- who also doesn’t treat himself all that well -- is one deranged sicko
who deserves an absolutely terrible comeuppance. However, these same
viewers probably also would be unable to independently imagine, plus wholeheartedly
endorse, the agonies that the movie’s Macanese police -- and their helpers
(who include a revenge-seeking nurse plus convict brother of a murdered
man (the latter of whom comes in the form of a seemingly perennially scowling
Shing Fui On)) -- are shown inflicting on an undeniably deadly criminal
who, before THE UNTOLD STORY’s end, I actually started feeling somewhat
sorry for.
My rating for this film: 6.