Victory
Reviewed by YTSL
Under lesser -- especially less able and sincere
-- hands, this breezy film which centers on a female volleyball team could
have so easily been terribly childish or trashy. As it stands though,
this Teddy Robin Kwan and Andy Chin co-production -- whose Chinese title
translates as "Youthful Spark" -- is full of fun and good cheer.
While its standard sports movie story is quite predictable in terms of
eventual outcomes, I'd wager that many a tolerant viewer will care less
about that and exult more in its possessing such as: A thoroughly
catchy theme song (enthusiastically belted out by Linda Wong); additional
giggle-inducing Cantopop moments; pretty visually nifty sports segments
(lensed, like the rest of this offering, by the wonderful Poon Hang Seng);
and a winning cast of young actresses -- some of whom may yet go on to
have eminent Hong Kong movie careers -- along with Derek Yee as an amiable
thorn among the roses.
Carmen Lee (in the lead role of team captain Fai),
Fan Yik Man (as vice-captain Mary Chong), Josie Ho (as a character named
Disappearance!), Hilary Tsui, Farini Cheung, Annabel Lau, Cherry Chan (as
the artistic Spring) and Ng Ching Ching (whose "Broom" character is the
"ugly duckling" "towel girl") play the young women whose university volleyball
team's defeat by the formidable Devil Women (whose uptight coach is portrayed
by Wanda Yung) is a huge shock and humiliation for a side used to winning
without too much effort. Our heroines' upset coach quits after that
match. Wah Shui University's spineless administration -- represented
by the morally questionable Chancellor and nervous Vice-Chancellor -- responds
to this by planning to withdraw funding of a team who had already been
under pressure to continue the nine championship winning streak of its
predecessors.
Almost needless to say, our heroines are way less
inclined to give it all up without a fight (At one point, one of then actually
quotes a historical Chinese sage's assertion that "failure is the mother
of success"). It also almost ought to go without saying that Erica
Lee's script has the young women battling themselves and among themselves
in the process of striving for the (return) VICTORY they ultimately show
a desire to get. One of the first things they had to do though was
to find someone who was willing to be -- at least in name, if not deed
-- their coach. Into the breach comes Derek Yee's Mr. Ma Chi, a gentle
bespectacled biology lecturer who cares about all kinds of insects and
-- among other things -- ends up showing the lively group of lasses the
value of such as fireflies but also friendship (and possibly first love...or
is that just infatuation?).
In general, VICTORY is an ensemble movie which
some might say did not make too many serious demands of its cast as well
as its audience. Nonetheless, a few individuals did stand out among
the charming crowd. Derek Yee probably can't help but do so on account
of his character being the one notably nice guy in the entire film.
Nonetheless, what I saw in this film has not changed my view that it's
unfortunate that he seems to have opted for solely behind-the-camera roles
these days. Similarly, I found myself wishing that Carmen Lee could
be lured back to Hong Kong movie making, hoping that Josie Ho will be given
ample room to shine in a way that she has clearly exhibited that she can,
and wondering what fortunes have befallen the likes of Fan Yik Man since
the making and release of this 1994 effort.
On a different note: For this (re)viewer,
one of the more enjoyable elements of this Andy Chin helmed as well as
co-produced film is the sense of innocence found throughout it. Although
VICTORY's main characters are university students, they are more spiritually
akin to the "jolly hockey sticks" girls found in English boarding school
stories than the pseudo-sophisticates who people many a Hollywood movie
set on college campuses, and light years away from the often morally challenged
scholarship basketball players of "Blue Chips", the film perhaps best known
as marking Shaquille O'Neal's cinematic debut. Perhaps this 1994
offering's depiction of Hong Kong university life is a dated and false
one. Alternatively, it might actually be the case that institutions
of higher learning in that part of the world really then did -- and still
do? -- have residence halls with stern matrons who seek to enforce curfews.
In any case, it sure made for an attractive picture that was experienced
by me as a welcome and very nice breath of fresh air.
My rating for the film: 8.
