Cause We're So Young
Reviewed by YTSL
Around the time that I reached the 100 mark
in terms of my post-1980 Hong Kong movie viewing, I shared my worry that
I would soon run out of watchable works to check out with a vastly more
experienced Hong Kong filmophile. This friend’s reaction was to assure
me that this fear of mine was unfounded. Some 500 movies on, I can
attest to his having been oh so right; and this not least since I continue
to find what I think it not overly generous to consider to be veritable
-- even if small -- gems in the midst of the diverse as well as surprisingly
large number selection of cinematic offerings that come from a hardly humongous
home territory of less than 7 million people.
To my mind, this emotionally wide-ranging romantic
comedy-drama -- which looks to be the least successful at the local box
office of all of director (cum scriptwriter plus frequent supporting actor)
Vincent Kuk’s worthy works -- is one such apparently overlooked (minor)
jewel. Perhaps this is on account of CAUSE WE’RE SO YOUNG’s basic
set up -- one that places a trio of single, male buddies and apartment-mates
at its center in much the same way as the likes of “Tom, Dick and Hairy”
-- not being all that novel. Similarly, the casting of youthful members
of the Cantopop world -- i.e., singers Leo Koo (who turns in a wonderfully
sensitive performance here as well as in “Task Force”) and Edmund So (in
what remains one of only two film appearances by him) plus musician-composer
Mark Lui (whose musical compositions include the enchanting scores of “The
Lovers” and “Green Snake”) -- in an effort whose focus is on the love quests
and travails of twenty-something year olds can make the 1997 Gordon Chan
production appear to be just one more of a crowd of attempts to emulate
the likes of Joe Ma’s popular “Feel 100%” offerings.
In fact, the possibility seems very high that
those who elect to check out this cameo filled (including by Andy Lau along
with Jan Lamb, Tats Lau, Law Kar Ying, Lee Lik Chi and Lee Siu Kei) --
plus pop culture reference heavy -- movie will discover that it arguably
offers a less frivolous outlook and approach to its admittedly familiar
general subject matter than those two more well known works. This
is not to say that CAUSE WE’RE SO YOUNG does not possess the kind of moments,
occasions and spectacles that attest to its protagonists being truly youthful
beings (And of these, the most silly may well be that which had the characters
portrayed by Mark Lui (Paul is the professional deejay who’s the most playboyish
of the movie’s three main males) and Nicola Cheung (Yung Yung is the lively
lass who Paul finds himself uncommonly attracted to) playing a drinking
game that involved Hello Kitty, Keroppi and Snoopy in a ritzy restaurant;
though a visit to a night club -- whose hostesses include those who had
been wishfully named after the likes of Rosamund Kwan and Carina Lau! --
comes close). Seemingly against the odds however, it is often admirably
able to use many of them to make rather touching, if not mature, points
regarding the nature of those who are not (yet) jaded with life and the
alternately bitter plus sweet romantic experiences it can offer up.
Take one of the key scenes in which CAUSE WE’RE
SO YOUNG distinguishes itself in such a manner for me: Specifically, that
which has Leo Koo’s Au Ka Chuen breaking down and inconsolably weeping
in a way that threatened to break my heart after realizing that the object
of his affection did not perceive him in the way that he had hoped that
she would. At that dramatic juncture in the not always so serious
film, this (re)viewer was not apt to forget that the first, rather superficial
seeming, thing that she had learnt about this surprisingly -- in light
of his being blessed with good looks and an attractively unassuming personality
--inexperienced player of the game called love pertained to his being a
Coke can and model car collector. However, she was apt to be of the
opinion that this facet of his character in no way trivialized the person
and being of the graphic designer by trade. Indeed, the supplied
knowledge that this boy-man filled up his spare time by doing such -- plus
was an expert computer gamer -- actually served to saliently underscore
how much he had been counting on the woman he (thought he) had been courting
to change, and add quality to, his life.
Lest it not be readily apparent: Despite his screen
time not being significantly more than that of Mark Lui or Edmund So (whose
staid Choi character is the least interesting of the three principal ones,
and ditto re his relationship with Gigi Lai’s “An Autumn’s Tale”-loving
Mimi vis a vis that of the others in this offering), Leo Koo -- whose lack
of film appearances I am having some difficulty understanding -- easily
steals the show from his co-stars. In much the same way, Kathy Chow
(who plays an alluringly mature femme is known to the movie’s main personalities
as Mrs. Chan) gives a performance in CAUSE WE’RE SO YOUNG that outshines
those of the other females (including Amy Cheung, whose character has the
same first name as the actress) who have significant parts to play in the
(love) lives of Chuen, Paul and Choi. At the very least, she it was
who looks to have conclusively demonstrated what a “real” -- as opposed
to merely (still) budding -- woman is, and why such a being is liable to
occupy the substantial amount of a (heterosexual) man’s time that was alleged
to be the case early on in this engaging work.
My rating for the film: 7.5