Conjugal Affairs
(AKA In Between AKA The New Age
of Living Together)
Reviewed by YTSL
Two’s company, three’s a crowd. So goes
an English saying. To fans of such as “The Heroic Trio”, “Peking Opera
Blues” and “The Soong Sisters”, however, three can seem like an ideal number.
Then there are those Hong Kong movies -- including “Boys Are Easy”, the “It’s
a Wonderful Life” that doesn’t star James Stewart as well as the “All’s Well,
Ends Well” series of Chinese New Year offerings -- whose makers appear to
subscribe to the idea of it being so that “the more, the merrier”; hence
their being populated with three or more pairs of ace actors and actresses
(who, more often than not, turn out to be -- in more than one sense -- game
jokers).
Like the majority of the latter efforts, CONJUGAL
AFFAIRS focuses on a group of personalities who share a home. However,
while the core individuals of those other works tended to be related by blood
or (eventually) through marriage, the trio at the heart of this movie happen
to be: The landlady of a spacious apartment (Maggie Cheung’s busy Co
Co -- as the name gets spelt out in the English subtitles -- character also
is a boutique owner); and her two tenants (One of whom, a hairstylist known
as Eddie, is played by Jan Lam; the other of whom, a stockbroker named Steven,
is essayed by Nicky Wu). Something else that helps this Unique Films
Ltd. offering live up to its production house’s name is the romantic drama-comedy’s
being structured in the form of three loosely connected segments that have
their own titles -- of “Star Hunter”, “Lonely Hearts Club” and “Unwed Mother”
respectively -- as well as are helmed by different directors.
Although all three of the apartment mates do make early appearances in CONJUGAL
AFFAIRS, the first third of this 1993 film really centers on Eddie, whose
disinclination to be romantically tied down to a single person causes his
girlfriend to give up on their relationship. Before too long though,
another female turns up in this Samson Chiu directed section of the offering
to test his resolve (One that he is disposed to articulate in terms of “Don’t
give up the heavens for the sake of one single star”). Seeing as the
somewhat mysterious Icy comes in the form of Wu Chien-Lien (whose more notable
roles include “Beyond Hypothermia”’s cold-blooded assassin, an utterly terrifying
“Intruder” and a deceptively innocent looking revenge-seeker in “Dragon Town
Story”), I had visions for a while there of the actually rather sweet-natured
Eddie suffering a horrible fate at the hands of the admittedly pooky-faced
woman with whom he initially struck up a fun (but) platonic friendship.
And while my paranoid fears did prove to be groundless, I’ll still vouchsafe
that this portion of the movie does have the least satisfactory conclusion
(as well as overall story plus choice of music).
At around the 30 minute mark of the film, attention shifts from Eddie (and
Icy) to Steven. Although Nicky Wu does manage to hold his own in the
charm and acting department vis a vis the other -- sometimes way more illustrious
-- members of CONJUGAL AFFAIR’s cast, this Yon Fan helmed second -- and middle
-- segment of the movie really only comes to life when he is joined on centre-stage
by Sylvia Chang (who is absolutely radiant as well as very glamorous looking
here, as befits her role as a Tai Tai named Anna). It takes a while
for this to happen, since Steven is initially shown to be pre-occupied with
trying to please a girlfriend he has known since they were children (but
not succeeding due to her being too infatuated with Andy Lau!). However,
some magical and special moments ensue after the young man meets an older,
more mature and sophisticated -- yet emotionally vulnerable as well as open
-- woman by way of a blind date arranged over the phone.
Not long after her Anna character departs from the picture, Sylvia Chang
takes over the driving reins of the remaining third (section) of CONJUGAL
AFFAIRS. The portion of the movie in which Winston Chao (whose Fai,
Co Co has had on and off -- then back on again -- relationship for six years)
and Eric Kot (who plays Co Co’s gay friend and business partner, Ah Keung)
fairly prominently figure -- along with Co Co and a Russian fellow named
Nicholas -- is one that I wouldn’t be surprised to find had also been scripted
by the multi-talented Ms. Chang. In any case, that which had the potential
to be the most serious part of this offering -- due to its main, unmarried
character finding out that she was going to be a mother, and not knowing
which of two men fathered her child -- turned out to be quite thought-provoking
yet also possess what was by far the film’s funniest scene (and one that
might well be one of the most hysterical giving birth enactments I have ever
had the good fortune to view!).
Multi-stranded movies run the risk of seeming too unfocused. Multi-star
ensembles are liable to have some of their characters feel too under-developed
and unnecessary. Multi-director works seem to have a high chance of too many
cooks spoiling the broth. To be sure, CONJUGAL AFFAIRS has faults that
include its transitions from one story to another being on the abrupt side
along with certain of the film’s characters obviously existing primarily
to help define others (and consequently not appearing to be all that three-dimensional).
Alternatively, this (re)viewer actually liked that this offering had the
emotional as well as perspectival range that it did because of its bearing
the imprint of three different auteurs as well as being less like a conventionally
configured work and more of a three part anthology.
My rating for the film: 7.5