Sexphone
Director: N/A
Year: 2003
Starring: Kavee Tanjararak (Beam D2B), Paula
Taylor
Time: 114 minutes
There isn’t a lot to recommend about this tepid
Thai romance – in fact absolutely nothing comes to mind really. Maybe I
missed something, but it took me three sittings to finish it and much of
that was with my finger on the fast forward button. I can’t remember exactly
why I purchased this film – oh ya – the title – “Sexphone”. Silly me for
expecting a spicy comedy instead of this insipid bore. My guess is that
whoever translated the Thai title to English took some major liberties
because though there is lots of phone here, sex is a complete and unknown
stranger in this film.
Duer (pop star Kavee Tanjararak – and he looks
like your basic teen idol and sadly acts like one as well) and his next
door neighbor Jay (Paula Taylor – also in "999-9999") are both very cute
but can’t stand one another. Ok – movie over – you know where this is going.
She is a bit of a snot nosed brat with a wealthy boyfriend and he is a
bit of sack of meal. He works at a radio station – that amazingly seems
to have only three people employed there – and when the DJ disappears he
has to take over. He begins nighttime conversations with a woman who calls
in and they become attracted to one another – but “Misty” this isn’t. The
woman is of course Jay but neither realize who they are talking to and
the film winds down its inevitable path with as much energy as a slumbering
hedgehog. The film does contain a number of sugary songs that I assume
are from Kavee. Oh – now I remember one good thing about this film – it
has two happy endings! Just when you thankfully think the film is over
and all is right in the world of young love – they break up – and we get
another happy ending fifteen minutes later – it sure had me on pins and
needles though.
My rating for this film: 2.5
Club Zaa
Director: N/A
Year: 2003
Starring: Parunyu Rojanawuttam, Wanida Termthanaporn
(Gib -Girly Berry), Jatuchok
Wungsuwanna (Go B-Mix)Worrawith Kaewpetch, Sawinee Pookaroon
Time: 117 minutes
Every high school has to have that super cool
kid and at Somchai-Saisamorn it’s Dong. He is the new kid in school – thrown
out of everywhere else and with one last chance in this upscale institution.
The girls go crazy for him and rain their handkerchiefs upon him in some
sort of female sex ritual. The boys of course envy him. When you have the
cool kid you of course need to have the nerds – but in this Thai high school
all the boys seem to be nerds (and looking back, weren't we all?) and Dong
is their savior. He forms Club Zaa in order to teach them coolness; to
hide their dorkiness as best they can. He drills them hard like a Marine
Sergeant and teaches them how to go after the female sex with confidence
- because there is of course a cool person somewhere in all of us. There
is also one stringy haired dingy looking girl allowed in to the club but
there seems to be little hope for her – until she magically blossoms into
a beauty.
This is actually somewhat fun, but the film throws
in two dim-witted subplots – one about the administration trying to force
the school to become boys only and another about an adult gang harassing
Dong. Neither of these add anything to an otherwise goofy but sweet film.
It has a few clever and amusing scenes that spring from nowhere like flights
of fancy, some pop colored designs that look good and an appealing cast
of young actors. For a film that felt initially like it would be just a
dull high school tale of cool kids versus nerds Thai style, it instead
turns into a silly, enjoyable and exaggerated take on our insecurities
in high school and those girls we never had the nerve to talk to.
My rating for this film: 6.0
Ong-Bak
Director: Prachya Pinkaew
Stars: Phanom Yeerun (Tony Jaa), Petchtai
Wongkamlao
Time: 105 minutes
Year: 2003
So it all turns out to be true. It’s the real
deal. Last year whispers that soon turned into shouts began emanating from
the East that there was a new action star that would amaze and astound
you. In an age in which physical action skills have been replaced by wires,
special effects and clever editing, this was red raw meat for the action
junkies who grew up on a diet of Hong Kong martial arts mayhem in the 1980’s
and 90’s. Comparisons to Jackie Chan rolled off people’s tongues like round
slippery marbles and the hype build up was huge. The film made the rounds
of some of the international festivals and this just fed the frenzy and
then French director Luc Besson picked it up and people wondered what he
was going to do with it. In the meantime, the dvd came out – but without
English subtitles – and finally a VCD snuck in unannounced that did have
subs. Now a US distributor is apparently about to pick up the film and
unleash it on the American public.
Comparisons to Chan may be a bit early, but Phanom
Yeerun - now better known in the West as Tony Jaa – is simply remarkable.
His physical feats will simultaneously make your jaw and socks drop in
awe. Brought up in a small remote village in northeastern Thailand, Jaa
spent years practicing Thai martial arts and though these displays are
certainly impressive it his incredible acrobatic ability that will have
you laughing and gurgling in near disbelief. It isn’t a nimble acrobatic
style, but one very much driven on power, co-ordination and eye blinking
speed. It will make you believe again in Santa Claus.
There are a number of set pieces put in place
to basically allow Jaa to show his many skills. It begins with a "capture
the flag" sort of game – except this flag is at the top of a high tree
and an entire village of young men are attempting to reach it and bring
it down – and people are being tossed off to the ground below like a truck
full of potato sacks. Jaa simply but amazingly jumps from branch to branch
without a moment’s hesitation – but this being our introduction to him
it serves only as the warm up. There are a number of Thai boxing matches
– though very much anything goes – in which he shows beautiful form, speed
and power – it’s a thrill to watch, there is also a wild and wacky tuk-tuk
chase that felt sort of like a throw in for people who need to see things
crash – but for me the piece de resistance was nothing over the top – just
a simple foot chase through the back alleys of Bangkok.
A large gang of men is chasing Jaa and he runs
to avoid beating the hell out of them. It is ten minutes of sheer eye bending
exuberance as Jaa shows agility that will make you want to cheer – as he
jumps over two moving cars, slides under another, leaps through barbed
wire, glass sheets and most remarkably when cornered by a group of his
pursuers, simply runs on top of them to escape before they have any idea
what is happening – all this is done (I believe) without the use of wires.
How does anyone do that kind of thing?
The film itself in all honesty exists only to
showcase Jaa – in most ways in has “B” film written all over it – basic
bare bones plot, standard “B” characters and bad guys, poorly scripted
dialogue, so-so acting (as amazing as Jaa is physically, he doesn’t have
much going in terms of acting and wisely keeps silent for much of the film),
but it doesn’t really matter. A quick summary. Ong-Bak is a statue of Buddha
in a small remote village and when some Bangkok hoodlums steal it, the
luck of the town goes with it. So Ting (Jaa) is asked to go to Bangkok
to recover it. Though he has studied martial arts all his life, his teacher
tells him never to use it for personal reasons. In Bangkok he tracks down
a fellow villager, George (Petchtai Wongkamlao) who long ago escaped small
town life and allowed Bangkok to corrupt him. He finagles Ting into an
underground fighting arena where Ting then is forced to go against his
master’s teachings and fight some mean and rotten farangs (westerners)
that he just beats the ever loving crap out of - a sweet moment of Thai
nationalism I am sure. Other problems come his way – a gang, a bad guy
who speaks through a hole in his throat and a Burmese fighter who shoots
himself full of drugs to take on Ting. It is simple and it works. See this
film to discover what a human is capable of doing.
My rating for this film: 8.0